Bye Bye Blackbird, Arr. Rich Sigler Stage Band Grade 2
Alfred
This swing chart is a great vehicle for your tenor sax soloist. The solo part ranges from written melody to a written-out suggested solo, all very ...
View full detailsThis swing chart is a great vehicle for your tenor sax soloist. The solo part ranges from written melody to a written-out suggested solo, all very ...
View full detailsThe best of the amazing Herbie Hancock! Arranger Mike Kamuf scores this hip, funky Herbie Hancock tune for the young player. This chart is ideal fo...
View full detailsHere's a bossa that is just right for the young band. Played around 136 BPM, it has a catchy melody with great harmonies; easy brass ranges; and op...
View full detailsBy Victor López Jazz Ensemble Conductor Score & Parts Grade: 2 (Medium Easy)
A movement from Duke's masterpiece album Black, Brown, and Beige, "Carnegie Blues" is a slow blues that features the trombone section, and short so...
View full detailsThe ideal easy swing chart on a great blues melody. Accessible with easy brass ranges; a medium swing tempo of 120 BPM; and written solos for tenor...
View full detailsA Latin-pop original, that’s kind of funky, targeted at the skilled high school level. It’s played around 176 BPM with lead trumpet range to writte...
View full detailsFinally, there is a Herbie Hancock piece for the younger band! From the famous Headhunterrecording, here is a great opportunity to play the biggest...
View full detailsWe're back with another chicken-titled funk chart! Written solos are provided for trumpet and tenor but you could add guitar if desired. Lead trump...
View full detailsYep, you guessed it---it's a funk chart. The groove is deep at 136 BPM, solos are written out for tenor and/or guitar, and lead trumpet range is to...
View full detailsA great title and great chart. A samba groove in cut time around 90 BPM, accessible for a solid grade 2 level. Written solos for trombone 1 and ten...
View full detailsCheck out this very easy bossa played at around 138 BPM with a brief 3/4 interlude and plenty of optional parts. The meter change is no problem---i...
View full detailsWow! This chart is totally smokin'. A terrific tune set in a funky-rock groove set around 132--144 BPM, a straight-eighth feel and very hip opening...
View full detailsOh yeah, a beautiful straight-eighth Ellington ballad. Played around 84 BPM with gorgeous voicings throughout, written-out solos for tenor and trom...
View full detailsA superb holiday swinger at around 180 BPM. The melody is generously passed around the ensemble to keep everyone happy, plus there is written-out s...
View full detailsHere's a funky rock chart by Vince Gassi called "Contents Under Pressure" for young band. It's played at 120 BPM and features a written solo for te...
View full detailsLisa DeSpain steps a little outside the box with this very clever and original treatment of this well-known jazz standard. This chart will mesmeriz...
View full detailsA Gordon Goodwin chart for the young player! Arranger Ralph Ford has scored this Goodwin swing shuffle to make it accessible for the younger band. ...
View full detailsA driving swing chart on a classic jazz standard featuring suggested written-out solos for trombone, tenor, trumpet and guitar (or optional alto) p...
View full details"Dameron Stomp" is an early work from Tadd Dameron, originally written for Kansas City's Harlan Leonard and his Rocket. This up-tempo chromatic sou...
View full detailsTaking advantage of a soulful tune with a catchy title and melody, Erik Morales captures composer Bobby Timmons’s medium swing groove. At 120 BPM, ...
View full detailsIn the style of Nestico and Basie, this medium swing chart is full of nuances. Includes solo space for all saxes, trumpet 4, and trombone 1. At 110...
View full detailsGordon Goodwin wrote this funky chart for Grade 3 to showcase trumpet 1 and trombone 1. Everything is written out to include the melody duet, the s...
View full detailsHey rock fans, here is a super-chestnut from the band Journey arranged for young jazz ensemble by Paul Baker. From the opening line, this chart is ...
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