Leroy Anderson's JAZZ PIZZICATO and JAZZ LEGATO stand as quintessential proof of his legendary status as a composer of light music. With a nostalgi...
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One of Grainger's most popular piano encores was improvisations on English Morris Dance tunes that he programmed as COUNTRY GARDENS. Adolf Schmid's...
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FORGOTTEN DREAMS was completed on May 28, 1954. The first performance was a few days later on June 2nd during a recording session for Delta Records...
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Capriccio is the third composition by James Barnes that resulted from a commission by the Zushi High School Alumni Band in Kanagawa Prefecture, Jap...
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This abridged and simplified arrangement can fill several slots in your programming needs, including a recessional march for any occasion. Third cl...
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LOCH LOMOND is a traditional Scottish folk song of remarkable flexibility. This treatment is that of a ballad, so beautiful tone, good intonation, ...
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A sparkling rendition of a traditional folk dance that provides an excellent opportunity to teach syncopation, this arrangement is perfect for a la...
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A clever, humorous composition to aid in the teaching of changing meters, TIME BANDITS uses nothing more complex than eighth notes in its explorati...
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It's never too early to introduce your students to great music. This outstanding addition to the beginning band repertoire is certain to be a hit w...
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You'll find this a real winner for first-year students. Only the second clarinets and second trumpets play more than the first five notes and they ...
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Sinfonia No. 15 by Johann Sebastian Bach, originally for piano solo, is now available for string orchestras because of Shirl Jae Atwell's musical...
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This march was written for the Durham MS Band in Lewisville, TX, an enthusiastic group of young musicians, growing in their technique and musicalit...
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In the key of G Major, the work begins with a Moderato where dotted rhythms are abundant. A brief Adagio intervenes and we continue with a slightly...
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Originally composed for full orchestra, the movement opens with a powerful C-minor introduction before turning to a bright, cheerfuland graceful C ...
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These two movements from a trio sonata exemplify the best of the English baroque, with their delightful quirky chromatic twists. Violin 1 is indepe...
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