Concert Time, by Bruce Pearson and Ryan Nowlin, is a collection of twelve songs written for beginning or young band. An excellent compilation and v...
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65 solo pieces by Mike Mower and James Rae. This collection of pieces for the saxophone has been compiled to provide each aspiring performer with a...
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42 solo pieces by Mike Mower and James Rae. This collection of pieces for the saxophone has been compiled to provide each aspiring performer with a...
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16 pieces for Alto Saxophone and Piano including new compositions by Andy Hampton, Malcolm Miles, James Rae, Karen Street and Sarah Watts, and newl...
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12 pieces for Alto Saxophone and Piano including new compositions by Alan Bullard, Andy Hampton, Chris Gumbley, Karen Street, Tim Watts and Jeffery...
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12 pieces for Alto Saxophone and Piano including new compositions by Rob Buckland, Chris Gumbley, Mike Mower, Andy Scott, Karen Street, and Jeffery...
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12 pieces for Alto Saxophone and Piano including new compositions by Christopher Gunning, Andy Scott, Karen Street, and Rob Buckland, and newly com...
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12 pieces for Alto Saxophone and Piano including new compositions by Rob Buckland, Andy Firth, Malcolm Miles, Andy Panayi and Andy Scott, and newly...
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Contains all the scales, arpeggios and exercises required for Trinity College London’s saxophone and jazz saxophone exams for Grades 1–8, valid fro...
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This book contains 80 exercises to encourage and develop sight-reading. This book, book 1, contains sample tests for grades 1 to 4.
This book contains 56 exercises to encourage and develop sight-reading. This book, book 2, contains sample tests for grades 5 to 8.
By Brian Balmages, Robert Herrings. Comprehensive studies in every major and minor key featuring:• Chromatic Intervals• Interval Tuning• Chorales ...
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Up-Grade! Alto Sax Grades 1-2 is perfect for those looking for something to bridge the gap between grades. Pam Wedgwood's inimitable style is guara...
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Up-Grade! Alto Sax Grades 2-3 is perfect for those looking for something to bridge the gap between grades. Pam Wedgwood's inimitable style is guara...
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Developed in 1983 for jazz and popular music. A thicker tip and a more flexible palette* than the Traditional reed allow vibration over a larger su...
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The driving force behind the JAVA “Filed - Red Cut” design was to offer more sonic possibilities to musicians while keeping the qualities of the or...
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The Vandoren Jazz Reed Mix cards allow Tenor Sax players to try one of eachjazz reed Vandoren makes. Mounted on an attractive, informational backin...
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The most widely played reeds in the world with a superiority proven over the years, these reeds suit all styles of music. Traditionals are known fo...
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The most widely played reeds in the world with a superiority proven over the years, these reeds suit all styles of music. Traditionals are known fo...
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6 Transparent Mouthpiece Cushion. The mouthpiece cushion protects your mouthpiece from teeth marks and avoids annoying vibrations. They can be appl...
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The success of V•12 reeds in the clarinet world for 25 years has led us to transpose their characteristics and advantages into the saxophone world....
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Launched in 1993 to answer the demand of some American jazz musicians (a JAVA with even more wood). The V16 has a thicker tip than the traditional ...
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In any style – with any mouthpiece – you’ll achieve maximum results with the V21 reed. It offers a clean, particularly warm and centered sound whil...
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Developed in 2002, the ZZ jazz reed is immediately responsive without sacrificing the brightness or tone quality required for this style of music. ...
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